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Subject: Clothing and dress--History-
Heavy gold moire silk strapless evening dress from the 1950s
Heavy gold moire silk ottoman, strapless evening dress with heart-shaped neckline. The dress is a semi-princess line with the front cut in one piece. Fabric folded over hips to suggest panniers, and the skirt is pleated in the center back. Back zipper closure. The bodice is boned, and lined with black acetate. The gown's skirt has knee length black ninon underskirt-stiffened with a wide horsehair braid. Label: Julie Inc, Fisher Bldg. Detroit. Donor identifies it as a Norman Norell. It ha…
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Women's black velvet and ermine cape from the 1930s
This woman's black velvet and ermine cape is comprised of a straight tube of black velvet that is a below- knee-length. It is lined with white satin in a rice-paper pattern. The cape has armholes at shoulders, and a wide shawl collar of white ermine. It dips down in back to below waist length, and a band of ermine runs down the front to the hem. The collar is lined with black satin, and the velvet inner-lined with white wool. The cape is without fastenings though they may have been removed.…
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Women's two piece wool twill suit from the 1940s
This is a woman's two piece wool twill suit in dark taupe wool with black silk braid. The jacket has long, straight sleeves, rounded collar, is hip length with a nipped-in waist. It is decorated with a swirling loop and paisley pattern of braid at the center front and jacket hemline. Covered buttons are at its center, and a hook and eye closure continue into the braid pattern at the front points of the jacket. The jacket is lined in crepe, and is labeled at the back of the neck B. Siegel. T…
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Navy crepe maternity dress from the early twentieth century
This navy crepe women's maternity dress has long sleeves with cuffs, is gathered at the waist by an elastic and has navy blue floss embroidered trim. The top is collarless in front and has an 8" collar in back. The dress is fastened by several sets of hooks and eyes around the waist band. The ankle length skirt has a flying panel at the front attached to a yoke band, and the peplum is attached at the back. There is a 24" band around the waist which hooks under the flying panel in front.
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Evening gown of ecru lace from the 1930s
This women's evening gown of ecru lace with ecru chiffon underskirt is sleeveless with wide shoulder straps and a scoop neckline front and back. It has a wide lace collar or ruffle with a scalloped edge which covers the bodice front and back. The plain, flared skirt is ankle length. It has a wide suede belt covered by the same ecru lace, with a rhinestone buckle. There is a loose, waist length jacket with short sleeves having wide mink fur cuffs. It is scalloped around the entire edge and …
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Women's two piece, deep taupe wool velour suit from the 1940s
Woman's two piece, deep taupe wool velour suit. The hip-length jacket is fitted, and has padded shoulders, and long straight, set-in sleeves. Two horizontal piped, slash pockets are at the waist level. A single wooden button is at the waist closing. Brown braid trim is applied over the shoulders. The collarless jacket is lined in brown crepe. The A-line skirt has a 2" waistband, with a side zipper. The unlined skirt is below knee length. The suit was made for the donor, who was a millinar…
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Blue Angora Beaded Cardigan
Blue angora cardigan with hand-beaded detail in center front, bodice is rayon lined, hook and eye closure. Barbara Lee Passport Collection. Circa 1950-1959.
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Black Lace Dress
Short black chiffon A-line fitted evening dress, with lace overlay. Scoop neck in front and back, scallops around neck and armhole, pleated panels create large V shapes or zig-zag on skirt; bottom of skirt is pleated. Smart Miss, circa 1950-1959.
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Women's black Persian lamb hat from the 1930s
This woman's black Persian lamb hat is without a brim, is creased at its top, and has a 2 1/4 inch grosgrain ribbon around its outside. The hat has a rounded point in front, and is lined in back with black satin.
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Matching Coat and Dress
Two piece wool gabardine set consisting of an overcoat and knee length, sleeveless dress, light blue in color. Coat is single breasted, lined, with placket pockets, invisible button closure, with button visible at neckline. Dress is princess style with two decorative buttons at neckline, front and back yokes, hook and eye closure at left shoulder and zipper on left side. ‘Ben Zuckerman for Bonwit Teller” on label, circa 1960-1979.
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Two Piece Beaded Dress
Two piece dress set consisting of skirt and top, sepia brown in color. Long skirt is lined with decorative ruffle at hem, front pleats, and bustle. Top is weskit style with stand-up collar, long set-in sleeves, fitted waist, boning, and inner closure at waist. Bodice has twenty three round buttons down front, each with crocheted covering; also, extensive beading on cuffs, neckline, and down the front. Owen, Detroit, circa 1880s.
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Blue silk taffeta dress from the nineteenth century
This woman's one piece, blue silk taffeta dress has a pattern of tiny blue and white checks. The garment has a fitted bodice that buttons down front, and its buttons are covered by a panel of pleated blue iridescent taffeta. A band of embroidered iridescent blue taffeta, having a peacock-tail design, is edged with maroon around the back-neck, and over the shoulders. The front forms a V-shaped waist that separates toward the hips. The same material and pattern are around the cuffs of the long …
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Two piece dress from the nineteenth century
This two piece dress may have been worn as a wedding gown or was part of a trousseau. It is made of gold-color silk satin, and the bodice is boned with deep points front and back. It has a laced center front closing with elbow length sleeves. The deep "U" neckline is filled with ecru lace and embroidered net, and has fringed ruching. There is lace around bottom of the bodice and at the sleeves. The bustle-back skirt has a very long train with irregular pleats. The front hem has pleated, up-…
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Two piece, dark purple taffeta Women's dress from the nineteenth century
This two piece, dark purple taffeta woman's dress is trimmed with purple velvet. The bodice has a basque waist, and buttons down the front with thirteen cut white and smoke pearl buttons. It has velvet lapels, and a loose back shoulder yoke and tab across front opening just below lapels. Its velvet sleeves are trimmed with bands of taffeta, and have ruching at the cuffs. An additional row of pleated white silk ruching is also at the cuff. The back has a longer center peplum effect ending in a l…
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A-line dress with a design depicting the telephone yellow pages from the 1960s
Woman's A-line dress is made of paper with a design depicting the telephone yellow pages. The collar has a bow at the center front, and the armholes are bound in black cloth tape. There are no fitting darts or fasteners. Worn by donor while pregnant with her first child, it was very comfortable. Label: Waste Basket Boutique, by Mars of Ashville, NC, Do Not Wash. This material is fire resistant unless washed or dry cleaned, then becomes dangerously flamable when dry.
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Rayon crepe dress with an Art Deco fabric design from the 1920s
Rayon crepe woman's dress having a colorful print with an Art Deco design of hexagons with floral centers, and Japanese cranes. The round neckline snaps closed part-way down the front, and there is a dark blue tie at the neck and waist. The dress does not have a label.
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Iridescent maroon taffeta dress from the nineteenth century
This woman's dress is of iridescent maroon taffeta. The three piece garment has a cut-away style bodice that is fitted, and reaches to the front waist. It has a long peplum on a separate belt, round shoulders, tight sleeves, and no collar. Black and red silk fringe runs down both sides of the bodice and across the back (simulating a collar) and around the edge of tail. The long full skirt has a train in back, and a cross hatch pattern around the bottom of the skirt that is made with black braid…
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Black wool riding habit from the nineteenth century
This woman's black wool riding habit has a fitted jacket (a) with a stand-up collar and a cloth ruffle showing above the top. It has sloping shoulders, and long, tight sleeves. It buttons down the front, and is cut-away with a short tail in the back. The skirt (b) is very long and full, and is gathered at the waist in large pleats. It has a black cloth waistband. The black felt hat (c) has a round crown with a narrow visor in the front. It has a band of black grosgrain ribbon, and is lined wit…
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White silk charmuese dress from the early twentieth century
Woman's white silk charmuese dress with short chiffon sleeves. It has a V-neck that is edged with net, and an ecru lace yoke. The bodice is bloused with a second layer of material bloused to the waist, and heavily trimmed with gold and silver metallic thread, and strings of gold beads. The waist cummerbund lays over the top of a moderately full skirt. An overskirt pannier reaches to the hips, and is trimmed with the same metallic embroidery and gold beads as the bodice. The overskirt is sli…
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Dress made of very sheer cloth from the early twentieth century
Women's dress made of very sheer cloth that is loosely woven of fine, ecru-color thread. The bodice has a square neckline with a black velvet yoke. Its shoulders back and front center are embroidered with heavy black and white silk floss, with heavy white lace across shoulders. The bodice is gathered to the waist, and has long, loose sleeves whose cuffs are decorated with black velvet, black chiffon, and the same black and white embroidery. There are two velvet buttons on each sleeve. The lo…