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Wayne State University; Buildings; Libraries 2; General and Kresge Library.
Circa 1950s. Exterior image of construction of General and Kresge Science Library. Suren Pilafian with Frank Montana architect, 1953 and 1954. Designed in a modern idiom of lines, planes, solids and voids. The elemental composition is Bauhaus modern.
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Wayne State University; Buildings; Libraries 2; Kresge
Circa unknown. Suren Pilafian with Frank Montana, 1953 and 1954. Designed in a modern idiom of lines, planes, solids and voids, the elemental composition is Bauhaus modern. Image of front entrance of Kresge.
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Wayne State University; Buildings; Libraries 2; Kresge
Circa unknown. This shows 2 of the newest buildings on the uptown campus. The one in the foreground is the New Kresge Science Library and in the rear, the new General Library. Suren Pilafian with Frank Montana, 1953 and 1954. Designed in a modern idiom of lines, planes, solids and voids, the elemental composition is Bauhaus modern.
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Wayne State University; Buildings; Libraries 2; Kresge
Circa unknown. Suren Pilafian with Frank Montana, 1953 and 1954. Designed in a modern idiom of lines, planes, solids and voids, the elemental composition is Bauhaus modern. Image of front entrance of Kresge.
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Wayne State University; Buildings; Libraries 2; Kresge
Circa unknown. Suren Pilafian with Frank Montana, 1953 and 1954. Designed in a modern idiom of lines, planes, solids and voids, the elemental composition is Bauhaus modern. Image of entrance of Kresge. looking from Second and Kirby corner.
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Wayne State University; Buildings; Libraries 2; Kresge
Circa 1950s. Suren Pilafian with Frank Montana, 1953 and 1954. Designed in a modern idiom of lines, planes, solids and voids, the elemental composition is Bauhaus modern. Image of entrance of Kresge from corner of Second and Kirby.
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Wayne State University; Buildings; Libraries 2; Kresge
Circa 1950s. Suren Pilafian with Frank Montana, 1953 and 1954. Designed in a modern idiom of lines, planes, solids and voids, the elemental composition is Bauhaus modern. Image of front entrance of Kresge. Date May 21, 1955
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Wayne State University; Buildings; Libraries 2; Kresge
Circa 1950s. Suren Pilafian with Frank Montana, 1953 and 1954. Designed in a modern idiom of lines, planes, solids and voids, the elemental composition is Bauhaus modern. Image of entrance of Kresge from corner of Second and Kirby during construction of library.
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Wayne State University; Buildings; Libraries 2; Kresge
Circa 1960s. Suren Pilafian with Frank Montana, 1953 and 1954. Designed in a modern idiom of lines, planes, solids and voids, the elemental composition is Bauhaus modern. Image of main entrance of Kresge from across campus. Date August 7, 1961.
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Wayne State University; Buildings; Libraries 2; Kresge
Circa 1950s. Suren Pilafian with Frank Montana, 1953 and 1954. Designed in a modern idiom of lines, planes, solids and voids, the elemental composition is Bauhaus modern. Image of entrance of Kresge from corner of Second and Kirby during construction of library. Date September 5,1952.
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Wayne State University; Buildings; Libraries 2; Kresge
Circa 1950s. Suren Pilafian with Frank Montana, 1953 and 1954. Designed in a modern idiom of lines, planes, solids and voids, the elemental composition is Bauhaus modern. Image of main entrance of Kresge from across campus. Date July 8, 1953.
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Wayne State University; Buildings; Libraries 2; Kresge
Circa 1950s. Suren Pilafian with Frank Montana, 1953 and 1954. Designed in a modern idiom of lines, planes, solids and voids, the elemental composition is Bauhaus modern. Image of main entrance of Kresge from across campus.
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Wayne State University; Buildings; Libraries 2; Kresge
Circa 1950s. Suren Pilafian with Frank Montana, 1953 and 1954. Designed in a modern idiom of lines, planes, solids and voids, the elemental composition is Bauhaus modern. Image of main entrance of Kresge from across campus. Date May 7,1957.
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Wayne State University; Buildings; Libraries 2; Kresge
Circa 1950s. Suren Pilafian with Frank Montana, 1953 and 1954. Designed in a modern idiom of lines, planes, solids and voids, the elemental composition is Bauhaus modern. Image of main entrance of Kresge from across campus. Date February 2, 1956.
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Wayne State University; Buildings; Libraries 2; Kresge
Circa 1960s. Suren Pilafian with Frank Montana, 1953 and 1954. Designed in a modern idiom of lines, planes, solids and voids, the elemental composition is Bauhaus modern. Image of main entrance of Kresge.
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Wayne State University; Buildings; Libraries 2; Kresge
Circa 1960s. Suren Pilafian with Frank Montana, 1953 and 1954. Designed in a modern idiom of lines, planes, solids and voids, the elemental composition is Bauhaus modern. April 1953.
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Wayne State University; Buildings; Libraries 2; Kresge
Circa 1950s. Suren Pilafian with Frank Montana, 1953 and 1954. Designed in a modern idiom of lines, planes, solids and voids, the elemental composition is Bauhaus modern. Three women sit on ledge of main entrance of library.
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Wayne State University; Buildings; Libraries 2; Kresge
Circa 1960s. Suren Pilafian with Frank Montana, 1953 and 1954. Designed in a modern idiom of lines, planes, solids and voids, the elemental composition is Bauhaus modern. Image of main entrance of Kresge viewed from across campus. Five people walk away from Library. Date July 30,1964.
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Wayne State University; Buildings; Libraries 2; Kresge
Circa 1950s. Suren Pilafian with Frank Montana, 1953 and 1954. Designed in a modern idiom of lines, planes, solids and voids, the elemental composition is Bauhaus modern. Three women sit on ledge of main entrance of library. Date August 19, 1958.
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Wayne State University; Buildings; Libraries 2; Kresge
Circa 1960s. Suren Pilafian with Frank Montana, 1953 and 1954. Designed in a modern idiom of lines, planes, solids and voids, the elemental composition is Bauhaus modern. The WSU band plays at the main entrance of Kresge Library. Date July 1966.