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Brooch, about 1855
Sentimental brooch which incorporates a lock of hair of a loved one.The inclusion of black enamel around the hair indicates that the loved one was likely deceased."MBL" may be the initials of the deceased.Half mourning called for jewelry that was not flashy or showed too much shiny gold metal, so many pieces used in half mourning include dark stones or enamel.This was likely made simultaneously with the plaited hair jewelry popular in the 1850s and 1860s.
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Girl's Dress, 1845-1860
This lovely, expensive girl's dress would have been worn for very special occasions and appears to have been seldom used.
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Calash, 1860-1869
This lightweight bonnet was likely worn seasonally in the spring and summer.
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Pair of Bracelets, about 1885
These inexpensive bracelets were popular in the late 19th century. Sold in pairs, they were likely worn one on each wrist.The large decorative plaque is vaguely Etruscan revival. There are some other historical revival aspects to these bracelets as well, notably the knife edge work which was used in some Greek and Roman revival jewelry.The pearls appear to be genuine although the rest is plated.
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Jewelry Suite of Brooch and Earrings, about 1860
This style can be referred to as bowknot jewelry, and was popular from 1850-1870.The three small jump rings at the bottom of each piece may have been used to suspend small ball drops.
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Daguerreotype Brooch, about 1850
This may have been used in mourning and may memorialize the gentleman depicted on the brooch.Earlier mourning brooches included watercolors of likenesses of the deceased but daguerreotypoes, our first real photographs, records the extraordinary image of the deceased.The bit of hair on the back of the brooch may be the hair of the gentleman depicted but this cannot be verified.The curator has seen few brooches set with photographs, either daguerreotypes orthe later tintypes; this is a rare surviv…
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Dress, about 1860
While this appears to be a day dress at first glance, it was more likely used around the house in the morning as it opens entirely from waist to hem at center front. It may have had boning in the bodice, however the bodice has been altered so it is difficult to determine.Worn by Betsy Ann Cowles Palmer around 1860. Betsy Ann Cowles Palmer was born in 1822. In 1839, she married Charles Henry Palmer, a pioneer investor and developer of mines and railroads in Michigan's Upper Peninsula. The Palmer'…
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Women's Boots, about 1845
Fabric gaiters that matched an outfit, with ankle lacings and square toe, were extremely popular in the mid 19th century. Wedding gaiters were of white satin, everyday pairs were of sturdy fabrics such as this. This pair could have been made at home (see Every Lady her Own Shoemaker, 1856). This pair comes from the Mitchell Family of Port Washington, New York.
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Boy's Jacket, 1840-1860
This is a good example of a mid-19th century boy's suit style, made for the "in between" years of a boy too young for an adult male-style trouser suit, and a radical departure from the kinds of suits worn by boys a century before. It might have been part of a spring suit, to be worn with cotton or linen trousers buttoned onto the jacket. It is also an excellent example of the use of velvet for boy's clothes from that era. The lack of seams in the center back also suggests an 1840-1860 constructi…
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Satin Boots, about 1865
Congress gaiters is a term for boots with elastic at the ankles. This style of boots is comfortable and easy to pull on and off. They were a very popular style in the mid 19th century for both men and women. At the time these were made, elastic thread was only available in black. This is why you see the black speckling in the white fabric of the gores of these boots.
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Men's Slippers, 1830-1860
"Undies", or casual morning wear to be worn at home, could be quite decorative and fancy in the 19th century. Loose fitting sacques or morning dress for women could be quite elaborate, including elegant footwear. Men, too, enjoyed robes and slippers that could be quite elaborate. Berlin work patterns for slippers were exceedingly popular circa 1850. These slippers are both expensive and quite elaborate for a middle-class man around 1850. They appear little worn. Benjamin Wheeler was, according t…
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Red Wool Twill Child's Dress, 1860-1870
Gored child's frock of red wool twill with black wool braid around neck, sleeves, hem. Round neck with self-piping and white eyelet machine lace; lace repeated on two-piece bishop sleeves. Three gores in front, four in back. Center-back closure has nine buttons (one decorative). Upper half lined with white unglazed cotton; lower half with glazed linen; linings sewn together. Band of white muslin at hem edge. All fabric bias-cut; hand-stitched; seam edges bound closed; magenta thread used. This i…
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Shaker Dress, 1835-1860
This dress is believed to have belonged to Elvira Hill, a Shaker. It would have been worn with a tucker, fichu, chemisette, or modesty scarf of some type at the neckline.
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Child's Dress and Jacket, 1850-1860
This outfit could have been made for use by either sex, but was probably made for a boy due to the shortness of the skirt (with knickers probably visible underneath). The printed wool is very fine. The flat-pleating all around suggests an 1850s date. A fashionable dress for warm weather.
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Mourning Badge, about 1865
This badge would be worn on either a hat or a sash.
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Peplum Style Skirt
Long peplum style green satin skirt, pockets, trimmed with fringe, bows, and braiding. Skirt features a train that can be bustled. Lined. Circa 1860-1869.