• Women's Slippers, about 1800

    This style toe was popular in the very late 18th - early 19th century. While these are called slippers, they were actually fairly fashionable shoes. The heel on this pair is very fashionable. The handwork suggests that these were custom made.

  • White Satin Ball Gown with Heavily Beaded Bodice, 1955

    Powdery-blue or blue-grey satin evening gown. Floral embroidery of silver, pink and blue-grey colored metallic threads (some appear to be tarnished silver, others may be synthetic) decorated with iridescent rhinestones and tiny sequins. Embroidery diminishes towards bottom of dress; no embroidery at hemline. Skirt smooth and curved in front, gathered in back. At center-back waistline is a large asymmetrical vertical bow with attached sash. Corselet inside of bodice. Bodice stiffened with white c…

  • Ebroidered Organza and Satin Dress with Shawl, about 1957

    Short evening dress with shawl. Cream organza over satin. Stylized pink thistles with greens stems embroidered down front in silk floss, gold sequins and gold metal. Fitted strapless bodice with two vertical bows on either side of center front waistline. Half-belt in back at the waistline. Corselet in bodice. Stiff nylon underskirt with two layers of nylon tulle. Double organza rectangular shawl with stylized carnation embroidered on center back. This garment was owned by Mrs. Harvey Firestone o…

  • Embroidered Print Silk Chiffon Evening Dress, ca. 1937

    Medium-blue floor-length silk chiffon dress with white spiral print. Some spirals embroidered with white beads and small iridescent sequins. V-shaped neckline edged with self-piping with self-fabric bow at base. Cap sleeves and shoulder pads. Seam at waist with separate self-fabric sash and bow. The chemise shown in the photograph is not the original.

  • White Silk Organza Evening Dress, 1932-1933

    White silk organza evening dress. Bias-cut bodice with small pieces of organza forming cap/shawl sleeves which hook to center back straps. Criss-crossing straps covered with irridescent white sequins and tiny silver bugle beads. Full skirt covered with scallops, each edged with organza ruffle and decorated with sequins and beads. Self-fabric sash. Back closure of self-fabric buttons and loops. Cream silk crepe chemise. Clutch purse covered in irridescent sequins to match dress. Clothing label: J…

  • Strapless Chiffon and Satin Evening Dress, 1952-1953

    Gown of navy-blue silk chiffon over salmon-pink silk satin. The two fabrics are sewn together at each seam and at hem. Chiffon slightly gathered over bustline to navy blue velvet ribbon to Empire waist. Natural waist with seam; separate self-fabric belt with buckle. Attached to left side of dress is a length of navy-blue chiffon that could hang down side or serve as short stole. Skirt cut on bias. Clothing label: BALENCIAGA/10 AVENUE GEORGE V/PARIS. Handwritten on tag sewn on back of label: 3190…

  • Embroidered Cotton Organdy Dress with Stole, 1955

    White cotton organdy gown with floral pattern embroidery. Embroidery includes white raffia, silver threads, silver beads, white horsehair, pearl-like sequins, silk(?) flower petals. Embroidery on bodice and wide band at the hem of the skirt. Underneath top layer is one layer of organdy, one layer of nylon stiffened with horsehair, two layers of white nylon net, and white silk slip. Matching wrap is large and oblong with same embroidery and triple scalloped end. Clothing label: PRINTEMPS-ETE 1955…

  • Satin Embroidered Gown with Large Cummerbund Sash, 1950

    Pale blue satin gown with embroidered floral patterns of 1/8 standing silver braid, silver beads, white and gray pearls, blue and silver thread. Embroidery applied heavily to create bands at strapless neckline and hem. Dress is straight with slight A shape towards hem. Cummerbund sash of fuschia pink faille, approximately twenty-two inches wide, gathered around waist. Large floor-length matching bow attaches to cummerbund; self-fringe at bottom. Clothing label: BALENCIAGA/10 AVENUE GEORGE V/PARI…

  • Silk and Satin Embroidered Evening Dress, 1928

    Dress of turquoise silk georgette over aqua crepe-backed satin. Aqua lace embroidered with gold thread at hem and neckline. Large rhinestone applied bows on left side. Dropped waistline and a slightly uneven hem with longer panels on left side. Clothing label: Peggy Hoyt/16 East 55th St/New York/Henry Firestone/No 6388/Date 5-9-28. This dress is notable for its gorgeous styling, dramatic color, dipping hemline - which would be quite showy on the dance floor - and fabulous matching shoes with hee…

  • Beaded and Embroidered Georgette Evening Dress, 1928-1929

    Pink georgette dress embroidered with aqua and silver bugle beads and rhinestones. Rhinestone bow at base of V-shaped neckline. Dropped waistline and uneven scalloped hemline. Very deep, curved V-shaped neckline in back. This dress is not labeled, but the design suggests that it might be a Peggy Hoyt.