• Women's cloak of striped wool from the nineteenth century

    This woman's cloak is made of a striped wool (red, blue and brown on tan). It has a pointed yoke and standing collar of brown velvet, and self fabric buttons down its front. The back is fitted with very low bustle, and the pleated front hides the arm slits. Unlined. It was described in the original accession records as a traveling cloak. The cloak was worn by Annie Caskey Turner (Mrs. Samuel) of Detroit. Label: Compagnie Russe, 26 Chausse D'Antin and Blvd. Hausseman 23.

  • Women's golden brown plush cloak from the nineteenth century

    This woman's golden brown plush cloak was purchased at Newcomb Endicott. The ankle length coat is single breasted with twelve mother of pearl buttons. Tight sleeves with slight puff at shoulder, rounded stand-up collar edged with rust color ostrich feathers. Shaped for bustle in the back, and slit from hem to waist. Yoke, sleeves, front, slit, and hem are decorated with black braid in an elaborate pattern. Lined with brown satin. Worn by donor's cousin, Augusta D. Von Schrader, a Detroit scho…

  • Women's silk plush evening coat from the nineteenth century

    This woman's silk plush evening coat has sleeves of heavy grosgrain silk gathered into large puff on top. The round fur (probably fox)stand-up collar is two and a half inches in height. The fur continues down the right side to the hips. There are four large buttons in the back, and another four are in the front. The coat fastens with hooks and eyes, and has a dark brown silk twill lining. The garment was bought at Taylor-Woolfenden, Detroit. Worn by Jane Lynn Patterson, whose husband was an…

  • Women's black silk faille dolman from the nineteenth century

    This is a woman's black silk faille dolman with braid jet and fringe trim. It has a quilted lining. See matching dress number 48.47.4.

  • Black silk faille dress from the nineteenth century

    This woman's black silk faille dress has satin stripes, braid, jet bead and fringe trim. The skirt attached to the top at the back only. The dress has a double row of black crocheted buttons with tiny jet bead centers down the front of its jacket-like top. There is a deep pleated flounce bustle at the back. See matching dolman number 48.47.1. Worn by Mrs. Calvin Maxfield ( Jane Graham) b. 1844, Hartland, MI. Died 1883, Plymouth, MI. Her husband operated a hotel in Plymouth.

  • Women's navy blue wool matlesse suit from the early twentieth century

    Woman's navy blue wool matlesse suit with a cut-a-way jacket and long skirt. The V-neck jacket has a deep shawl collar and a partial velvet facing. Long narrow sleeves have three velvet ball buttons. The jacket closes with two velvet ball buttons and an elaborate velvet and self-fabric frogs. It is lined in nary color charmuse. The coat dips from waist length in front to knee length in back. Half-belt of fabric tubing and velvet at waist level. Ankle-length pegged skirt with a concealed waistba…

  • Blue silk dress with chain stitch embroidery from the mid '20s or early '30s

    This bright blue silk women's dress has all over machine made chain stitch embroidery. It has green and white leaves as well as two triangles in the design in front. The dress has a square neck, long sleeves and is lined with blue chiffon. Label: "Mae & Hattie Green, PARIS, NEW YORK, 16 East 52nd Street."

  • Two-piece knit dress with tunic top from the 1920s

    This two-piece knit dress has a tunic top and plain skirt. There are nine buttons on each side of the tunic as well as machine embroidery in shades of orange and tan. Label: "MADE IN FRANCE, Mae & Hattie Green, 587, Fifth Avenue. NEW-YORK."

  • Two-piece tan silk shantung dress from the nineteenth century

    This woman's two-piece tan silk shantung dress has a skirt with a gathered side pannier. The dress is trimmed with brown faille, and the curaisse bodice has brown faille trim. It has brown panel in front with a large brown and tan bow, and streamers in back. Its sleeves are finished with a lace-edged white ruffle. The dress is lined. Note: Coat with hood 1950.001.011 matches the dress. See also matching parasol 1950.001.101. Note: Two pieces from trousseau of Della Miles Bertch, born c. 187…

  • White wool crepe dress from the early twentieth century

    Women's sheer white wool crepe dress, trimmed with heavy floral lace. One piece. "V" neck, natural waist, 3/4 length sleeves. Ankle-length straight skirt with peplum of lace and wide band of lace at hem. Trimmed with rows of pairs of crocheted balls, down front and sides. Original purchase price was $125.00. Owned by Mrs. Carrie Norbury, co-owner of the Norbro Shop on Grand River at Woodward

  • Red gown with lace yoke from the early twentieth century

    Womn's ruby red silk velvet gown with lace yoke. The dress is high waisted with elbow length sleeves, and has a "D'Haene, Detroit" label. For a tall, slim woman, dress has a 19" waist. Probably worn by donor's mother, Margaret McMillan ( daughter of Robert, of G&R McMillan). Mrs. Arthur David Holmes. He was a doctor, specializing in children. Married in Detroit, 1898. Margaret b. c. 1864. Daughters Margaret M. born c. 1899, Agnes May born c. 1900.

  • Dark green wool two-piece day dress from the nineteenth century

    This woman's dark green wool day dress has two pieces, and its collar, cuffs, waistband, and front of bodice are made of paisley-patterned wool. The lower portion of skirt has a matching paisley pattern. Worn by Miss Esther Brown, cousin of donor's mother. Miss Brown was born in 1846. Donor's mother was the daughter of tobacco manufacturer and Michigan Governor J.J. Bagley.

  • White silk and chiffon dress from the early twentieth century

    Woman's one piece dress in white silk and chiffon. The silk forms the body of the dress, and the chiffon is used for the collar, under-waist, and sleeves. The bodice, cummerbund, belt, cuffs, and skirt are embroidered with white silk floss, in a pattern of roses and butterflys. The bodice has a V-neck, and square collar, and the skirt has a peg top. Made by Detroit dressmaker Bertha Krenz.

  • Women's suit with divided skirt and matching jacket of tan linen from the early twentieth century

    A woman's suit that consists of divided skirt and matching jacket of tan linen. The tailored suit has a long jacket with four buttons in front, and two buttons on the cuff of each sleeve. The skirt has eleven buttons on the panel that conceals the pants, and a separate belt. Note: Helen Andrus Merrell Howard, daughter of Dr. Frank D. Howard, married Francis (C.or E.)Merrell c. 1908, and moved to Las Cruces, New Mexico. Original records call this a bicycling suit, but it might have been worn a…

  • Sleeveless tennis dress from the mid '20s or early '30s

    This woman's sleeveless tennis dress has a square neck and is made of a heavy, cream-color cotton fabric. It was made by Mrs. Robinson. The donors were daughters of tailor John C. Wettlaufer from whose shop the dress came.

  • Women's coat with strips of white wool yarn and white silk floss from the 1920s

    This woman's coat has knit strips of white wool yarn and white silk floss. The collar and cuffs are of white chenille with flowers of white chenille edged with grey chenille. There is one button at the lower left front. Label: "Pack-Wolin, Detroit."

  • Navy crepe maternity dress from the early twentieth century

    This navy crepe women's maternity dress has long sleeves with cuffs, is gathered at the waist by an elastic and has navy blue floss embroidered trim. The top is collarless in front and has an 8" collar in back. The dress is fastened by several sets of hooks and eyes around the waist band. The ankle length skirt has a flying panel at the front attached to a yoke band, and the peplum is attached at the back. There is a 24" band around the waist which hooks under the flying panel in front.

  • Black silk velvet one piece dress from the early twentieth century

    Women's black silk velvet, one piece dress having short sleeves, a V-neck, and an ankle length skirt with a peg top. The bodice has black net over white net, and sleeves of plain, double-thick black net. The bodice is trimmed with black and crystal sequins, and jet and crystal beads. The sides of the dress have triangular panniers, shaped with weights. Worn by Mrs. Wm. Traub.

  • Brown velvet dress from the 1920s

    Women's brown velvet dress with long, reddish-gold lame sleeves having velvet cuffs. Sleeves are very full and smocked at top. Small stand-up collar ending in two long ribbons in front (brown velvet on one side and gold lame on other) that tie in a bow at front of neck. A sash of velvet and gold lame is fastened at the sides. The dress ties in back, and has a small dickie of lame snaps across opening at neck. The dress does not have a label. Belonged to Mrs. Crowley.

  • Blue silk taffeta dress from the nineteenth century

    This woman's one piece, blue silk taffeta dress has a pattern of tiny blue and white checks. The garment has a fitted bodice that buttons down front, and its buttons are covered by a panel of pleated blue iridescent taffeta. A band of embroidered iridescent blue taffeta, having a peacock-tail design, is edged with maroon around the back-neck, and over the shoulders. The front forms a V-shaped waist that separates toward the hips. The same material and pattern are around the cuffs of the long …